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Home Faculty of Music Applicants Departments Piano Department

Piano Department

About the Department

The Piano Department consists of ten internal teachers, several external teachers and over forty students. Among the teachers we can find both the most successful (according to the results at major world piano competitions) Czech pianist and the “first lady” of Czech piano pedagogy. This is natural for professors, but our students also perform regularly at international festivals such as Janáček BrnoPrague Spring, the Czech Philharmonic, ČSKH, Brno Philharmonic and on foreign stages. Every year they win prizes in international performance competitions (Brno, Prague, Kamenice, Vienna, Budapest, Warsaw, Lempäälä, Rome, Milan, Udine, Padua, etc.), which is why they are also included in the prestigious Young Artists List (NČHF/KPH), which makes it easier for them to start their professional concert activity. Thanks to their methodical and practical training, students and graduates are also successful in auditions for teaching positions at conservatories and universities.

The department cooperates with piano departments of Czech and foreign conservatories as well as with partner art universities around the world. Every year we organize courses of leading foreign pianists and teachers. KKI teachers sit on international competition juries and are invited to give lectures and courses in Europe and Asia. A unique long-term project is our Methodology Centre providing continuing education for piano teachers at all levels. The department publishes its own journal Pianissimo and operates a website of the same name.

Study

The piano department has been an integral part of the Janáček Academy since its post-war beginnings. The founding professor of JAMU, pianist Ludvík Kundera, a pupil of Janáček and briefly of Cortot, became first the dean and then the first rector of the Academy for thirteen years. To this day, we can still draw on his analyses and insights into Janáček’s piano compositions, for example, and we can also find Kundera’s recordings in the archives. Among the seven founding professors was also the pianist František Schäfer, fondly remembered both professionally and humanly. Another important personality and head of the department was Prof. Otakar Vondrovic, a graduate of the Ecole normal in Paris in Cortot’s piano class, who was the first and still the only Czech pianist to perform a set of 32 Beethoven piano sonatas in a series of eight recitals at the Rudolfinum in Prague. It was mostly the successful graduates of these professors who created the next generation of the department’s teachers, many of whom are members of the current teaching staff. The style of interpretation and teaching was thus influenced by both the domestic tradition and the French school, but not only by the latter. The principles of the Russian piano school were enriched by the St. Petersburg-born Prof. Inesa Janickova (whose three graduates also currently teach at the department), and Prof. Zdeněk Hnát, the first Czech winner of the Prague Spring Festival and former head of the department, also studied in Moscow with Nejgauze. Among the teachers who are no longer working at the department, we cannot forget prof. Alena Vesela (a prominent organist, the first rector of the JAMU after 1989) and pianist Prof. Jiří Skovajsa (the first Dean of the Faculty of Music after 1989, long-time head of the Keyboard Department and director of the International Janáček Competition and International Performance Courses). Vratislav Bělský left an indelible mark in the field of historically informed performance, and future generations will draw on his publishing, editing and translation activities.

Starting in the academic year 2022/23, the Department of Piano Performance will return to the model of a five-year Master’s degree in piano performance without a Bachelor’s degree. The typical applicant for study is a graduate or student of a conservatory or music high school (according to the Higher Education Act, an applicant without a high school diploma, without a matriculation exam, may be admitted to study if he/she demonstrates the talent requirements for the study).

The main conceptual asset of the programme is the choice of subspecialisation during the course of study. We start from the assumption that the entrance examinations, although they sufficiently test the musical and pianistic disposition of the candidate, cannot provide such a comprehensive picture of his/her personality as to immediately decide on his/her future orientation in practice. Therefore, the first three years of study are universally focused – mainly on solo performance, chamber music and piano-teaching training. At the end of the third year at the latest, the student then chooses one of two specialisations, either Piano Performance and Piano Pedagogy or Piano Performance and Chamber Playing, based on his/her own study experience, self-reflection and intentions for further work in the field. Both specializations are equivalent in the area of solo playing – they have the same repertoire and performance demands. They differ in their education in piano pedagogy and chamber music, respectively, both in the composition of the courses of study and in the content of the state final examination. If a student is also interested in some subjects from a specialisation not chosen by him/her, he/she may apply for their enrolment. The student even has the right to fully study both specialisations, including the state final examinations.

Piano and chamber music

Piano playing and piano pedagogy

The highest possible level of piano performance studies is the doctoral programme of Interpretation and Theory of Performance, which is run by the Board of Studies, joint for HAMU and HF JAMU. The four-year degree can be taken either internally or externally. Internal doctoral students are obliged to teach at the faculty and receive an adequate stipend.
Those interested in studying in any of the study programmes usually take advantage of the opportunity to prepare in advance for talent tests under the guidance of our teachers, either at summer international performance courses with daily concerts of the participants or in the form of one-off consultations.
Each year we also open a six-semester Bachelor’s degree programme in Piano Pedagogy, which is taught in combined form only. This youngest degree programme was created on the recommendation of the Ministry of Education as a transformation of the Method Centre’s award-winning courses.
The Method Centre’s four-semester courses provide further training for piano teachers. Teachers from ZUŠ, conservatories and universities study here. The teaching team consists of internal and external teachers of the piano department. A number of full-time graduates (including organists and harpsichordists) return to the faculty through the Method Centre to update or expand their knowledge. Learners appreciate not only the professional input, but also the collegial and holistically healing atmosphere (in the words of learners, “they come to the Center to recharge their batteries”). Unlike other continuing education courses, in addition to mass lectures, we also provide regular individual sessions, including the completion of courses with a board examination/credit. There is a fee for MC studies, but they are usually paid for by the employer.
All MC study programmes and courses are validly accredited by the Ministry of Education.

 

 

 

 

 

 

 

Tools

Piano lessons take place in four classrooms with two long wings. In total, the department has at its disposal in its classrooms and practice rooms top pianos of world-class brands: five Steinway D-274 grand pianos, as well as Bösendorfer 280, Steingraeber E-272, Petrof P284 Mistral, Yamaha CF6, Petrof P194 Storm, Steinway A-188, and six other shorter instruments from Yamaha, Petrof and Bohemia.
Class and graduate concerts are held in the faculty concert hall on Steinway D-274 or Shigeru Kawai EX-278 pianos. The hall is equipped with automatic air conditioning and, especially for the pianos, humidity control to keep the air humidity below 40%.
Class and chamber concerts can also be held in the chamber hall on the Steingraeber B-192.
Some faculty projects, such as concerts with the academic orchestra, take place in the Orlí Theatre (part of the JAMU) on a Steinway C-227, or in the Besední dom (Brno Philharmonic) – 2x Steinway D-274.
Piano students have dedicated practice rooms with grand pianos in the HF building and shared rooms with grand pianos in the Astorka dormitory building. In addition, they have the option of renting several Clavinho’s year-round, free of charge, for dormitory or residence hall use, for quiet practice.

For loan to students

Seaboard Grand
Canon camcorder
Portable audio recorder

Recording options

Audio demos can be taken self-service using the stable equipment in the concert hall.
Professional audio or video recording of the demo or concert will be provided upon request by AVS (part of the JAMU HF) or the studio of the Orlí Theatre (Shigeru Kawai EX-278 piano).

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“The piano lessons at the JAMU were especially intense before the demanding competitions in Brussels, Moscow and Athens, where I had to explain what Brno was and where it was located. Today I teach at the department and try to pass on the best of my knowledge.”

Igor Ardašev, pianist and pedagogue of KKI

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“After the competition in Leeds, I know that a student of our Academy can easily compete with the world’s top pianists, students and graduates of the Juilliard School, the Curtis Institute, the Moscow Conservatoire, the Royal Academy in London and other renowned schools.”

Pavel Zemen, KKI student, winner of MSLJ 2017 and other competitions

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“I like to remember my piano studies at JAMU. It provided me with the necessary instrumental and musicianship skills and theoretical knowledge, which I then applied as a performer, teacher and manager.”

David Mareček, pianist and pedagogue, director of the Czech Philharmonic

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“I chose JAMU to study, mainly because of the excellent professor. And I chose well. The school had an atmosphere, starting with the legendary rector Veselá and ending with a janitor named Janáček who answered all the phones: This is Janáček Academy, Janáček speaking! Then all I had to do was win a few competitions and JAMU chose me again…

Jan Jiraský, pianist and pedagogue, head of KKI

This department consists of

prof. MgA. Jan Jiraský, Ph.D.

head of department, profesor

Piano Department

prof. MgA. Alena Vlasáková

Graduate: Faculty of Music

Piano Department

doc. Igor Ardašev

Graduate: Faculty of Music

Piano Department

doc. MgA. Alice Rajnohová, Ph.D.

Graduate: Faculty of Music

Piano Department

doc. Mgr. Vladimíra Sláviková

Piano Department

MgA. Dominik Gál, Ph.D.

Odborný asistent, Odborný asistent, chair of academic senate

Faculty of Music Percussion Instruments Department Piano Department

MgA. Maroš Klátik, ArtD.

Odborný asistent, Odborný asistent

Vocal Studies Department Piano Department

Mgr. Pavel Kratochvíl

Graduate: Faculty of Music

Piano Department

MgA. Viktor Vojnovič, Ph.D.

Odborný asistent, Odborný asistent

Piano Department Vocal Studies Department

MgA. Helena Weiser

Piano Department

MgA. Pavel Zemen, DiS.

Graduate: Faculty of Music

Piano Department

External staff

Martin Fišl

Vyučující

Piano Department

Mgr. Eva Horáková

Piano Department

Pavlína Klokočníková Smutná

Vyučující

Piano Department

MgA. Radka Hreňová

Student: Didactics of preparing pianists for artistic and pedagogical practice, Vyučující

doc. PhDr. Jiří Zahrádka, Ph.D.

Vyučující

Piano Department

Contact

Janáček Academy of Performing Arts, Music Faculty
Komenského nám. 6, 602 00 Brno

+420 542 591 601 jamu@jamu.cz

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